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Jennifer Can Be Seen Running from Side to Side

It's Because We Ran Out of Money

Vibrations of a Similar Type

As it Becomes a Great Distraction

We Decided the Switch Must be Fine

One is in the Basement

He Likes His Puzzles, She Likes Her Trees

Paul Says Rock, John Says Hammer

Rotating Full Grown Men

Four Poles, Three Spaces

We Used Both in One Sentence

We're Offended by Bad Dreams

Another Crooked Wheel

Because it was Made With Stripes

He Dreams Mostly of Guessing

What We Invest In

The Weight of Your World

Something to be Something In

How Many Holes it Takes

We Value Trailers

Only When We Follow Buses

Shane and the Blackbird

When Even is Found

It Just Gives Him another Reason

What We Do in Water

Castles and Modern People

Two Men Looking Around

More Squash than Apples

We Should Put it In a Jar

Seven Days Without Grace

Many Friends of Men

When a Hallway Has a Door

It's Just Another String We Can Curve

That's Why We Call Him Lovely John

We Just Need a Bigger Stone

and That's How Property is Defined

and That's How the Wolves Get Into Town

The Truth About the Country

The Bell is on the Right

Frank and Helen Turner

He Shines Only for Truth and Justice

When Luck Finds Money

Valerie Draws a Line

and That's How a Wave is Defined

It's Just a Flower in a Pot

Sometimes We Have Sun

That's How We Know the Fabric's Right

Four Gentle Children on a Farm

Maybe We Need Gary's Shovel

The Last Man Singing

Somewhere There's a Secret Room

She Signs Her Name Using Traditional Roman Space

The Gentle Shake of May Flowers

We're Very Good at Planning

He Keeps Putting Faith in Girls

Through the Center of Town

and The Average Remain Fugitives

One of These Things is Fast

Poor Boys in Europe

and That's How the Other Sheep was Found

Every Time We Don't Float

Twisted Like Knots

Because Our Bags Match

They Say They Live Underground

Maybe if you Weren't Holding All them Drinks

Yellow Horses and History

As Gravity Finds Its Center

It's Because He Has to Use Both Hands

Inside the Red House

When We Sit with Average

It's One of those Big Transitions

Space for Ramp No 9

Rosie O'Grady and the Box of Twenty Four Fifty

A Skilled Connection to Red Kites

Defined by Theater Doors

The Adjacent Olive Tree

Tales of Grace and John